Brass Bands are an established part of New Orleans culture and thrive today ...more than any other time in the city’s history. To date, the Hot 8 has recorded nine albums, including the 2014 Smithsonian Folkways release Through the Streets of the City: New Orleans Brass Bands and their latest release Take Cover. They also appeared in the Master P rap video Hootie Hoo and in Spike Lee’s 2006 Hurricane Katrina documentary, When the Levees Broke. White has won numerous awards, including the French Chevalier of Arts and Letters, the NEA National Heritage Fellowships Award, The New Orleans Mayor’s Arts Award, the Louisiana State Humanist Award, the Jazz Journalists of America’s Jazz Hero Award, and the OFFBEAT Magazine’s Best of the Beat Awards’ Best Clarinetist twelve times. imagines the future in the He is one of only a few current New Orleans musicians to develop his own unique authentic classic jazz sound and expression. Stefon Harris & Joe Locke: Bobby Hutcherson – A Living Legacy, Joey DeFrancesco: Evolution of Jazz Organ, Marc Cary: Abbey Lincoln and Moseka House – The House That She Wanted to Build, John Santos: The Puerto Rican Jazz Connection, Dr. Michael White: The New Orleans Brass Band Tradition From The Streets To The World, Billy Hart: The Evolution of Contemporary Jazz Drumming, Joey DeFrancesco: The Evolution of Jazz Organ, From the Desk of Marcus Shelby, Artistic Director, Healdsburg Jazz Announces New Artistic Director, Marcus Shelby, Healdsburg Jazz Founder Jessica Felix Announces Her Retirement, 2020 Healdsburg Jazz Festival Ticket Brochure, 22 Years of HJF Jazz: 1999-2020 Complete List of Performers, Friday Night Live Stream – July 24: Ricardo Peixoto Trio, Friday Night Live Stream – July 31: SambaNoma. It was then that the first societies and krewes began to develop. All listeners will feel as though Carnival became more organized during the 19th century. Hire the Band The term "jazz" (early on often spelled "jass") did not become popular until the mid and late 1910s, when New Orleans musicians first rose to prominence in other parts of the USA and the New Orleans style needed a new name to differentiate it from the nationally popular ragtime. The brass band dates back to the early nineteenth century and England's Industrial Revolution as an outgrowth of the medieval waits. The program and discussion are sure to be as hot and exciting as New Orleans brass band music itself. environment. Stafford is a relative of the great early jazz trumpet legend Henry “Red” Allen and Henry Allen, Sr., who led a popular brass band in early jazz. Roll With It is a firsthand account of the precarious lives of brass band musicians in New Orleans. Happy 130th Birthday to Jazz Great Jelly Roll Morton! The Hot 8 has remained as one of the favorite bands in community “second line” parades and funerals but has also expanded to perform in nightclubs and at festivals. Brass band musicians are, for the most part, African-American men, and in New Orleans like in much of urban America, that’s its own hazard. Stafford grew up in the heart of uptown New Orleans which was the center of black social club parade activities throughout the twentieth century. ‘New Orleans Brass Bands: Through the Streets of the City’ features artists, including the Liberty Brass Band, playing a city-defining genre. New Orleans Brass Bands: Through the Streets of the City, brings together for the first time in one recording three musical generations that represent three dominant styles of brass bands. Deep Roots: The History of the New Orleans Second Line Second lines trace their roots back to the 19th century and the fraternal societies and neighborhood organizations that collectively provided insurance and burial services to members, especially among the African American community. Makes you want to get up and dance. The tradition of brass bands in New Orleans, Louisiana dates to the late 19th and early 20th centuries. After some time, many of the wealthier parading krewes began to seek brass bands to play during their parades, realizing that the fusion between percussion-driven African folk music and horn-heavy military sound was what the parade-goers wanted to hear. Gregg was also an early member of the first generation of the Fairview Baptist Church Brass Band, the kids’ group founded by legendary banjo and guitar player Danny Barker. Following up on their previous round of aid, The Music and Culture He went on to play the trumpet (and occasionally the bass drum) with several other brass bands and smaller jazz groups before becoming the leader of the Young Tuxedo Brass Band after the death of leader Herman Sherman. New Orleans was a city of music and dancing quite some time before Mardi Gras became Mardi Gras as we know it. The Hot 8 performed in the final season of HBO’s television series Treme. European military bands and Sousa-type marching bands were ubiquitous in New Orleans, as elsewhere, throughout the nineteenth century. The Young Tuxedo Brass Band was first formed in the 1930s by clarinetist John Casimir and was among the most visible group in community parades and funerals for many years. Brass music played a huge role in the development of the city’s most renowned genre: jazz. Music / From Professor Longhair to the Meters to Dr. John, everyone has their favorite Carnival song and genre. Early New Orleans jazz and the profusion of styles that resulted from it all employed variations on second line rhythm. This evening’s program will be hosted and led by clarinetist Dr. Michael White, who will discuss the origins, musical style, functions, social significance, and evolution of the New Orleans brass band tradition. financial aid for those in New Orleans who have been either active performers Invoice Requirements The PO number and/or the Contract/Agreement number must be listed on the invoice. White has been a longtime consultant for the New Orleans Jazz & Heritage Festival. Brass Roots is an unprecedented look into the history, culture and people that make up contemporary brass band music in New Orleans. Dance maintained a prominent position in these balls. The Liberty Brass was one of three groups to record on the acclaimed 2014 Smithsonian Folkways recording, Through the Streets of the City: New Orleans Brass Bands, which White produced, contributed an original composition and wrote the accompanying booklet (for which he won an ASACP Liner Notes award). The New Orleans Original Brass Fest gets underway Saturday at Armstrong Park. New Orleans Music News. He has also appeared in numerous documentaries, feature films, and television shows. White appears in the 2020 Lincoln Center produced Wynton Marsalis video #Memorial for Us All – a New Orleans brass band/jazz funeral ceremonial reflection on the current COVID pandemic devastation. A wild, jubilant music. New Orleans was a city of music and dancing quite some time before Mardi Gras became Mardi Gras as we know it. As the story goes, “Down in New Orleans, Where the blues was born, It takes a cool cat to blow a horn…”, Whether it’s a ballroom waltz, a smooth jazzy Carnival song, or a boisterous brass band blasting “Second Line,” Carnival music always represents a time to celebrate and “Do Whatcha Wanna.”. Gregg Stafford has been an outspoken advocate of traditional band music and decorum in jazz funerals and a critic of some of the later practices seen in many current funerals. Bennie Pete and the Hot 8 have overcome a number of tragic losses and devastating tragedies to also become a popular touring band with a large international following. In the history of jazz, brass bands are remembered as a training ground for many early New Orleans musicians – like Louis Armstrong and Sidney Bechet – who would go on to change American music during the 1920s “Jazz Age.” Pete points out that the Lil’ Rascals Brass Band, an early inspiration for the Hot 8, also lost four members to early deaths. They would use their earnings as a krewe to help fund members during times of need, helping with everything from medical bills to funeral costs. When it comes to Carnival music, many questions arise: When did the music begin? He was exposed to street music and began to play with older groups like the E. Gibson Brass Band while still a teenager. With increasing urbanization, employers began to finance work bands to decrease the political activity with which the working classes seemed preoccupied during their leisure time. Michael White’s brass band roots have remained an important part of his life and career. Saxophone player Armando Lopez, who was one of the first to join the band after Simon moved to Denver in 2016, said addressing adversity is really … Whether they’re Wild Tchoupitoulas or Wild Magnolia, the music of the Mardi Gras Indians represents strength and long-rooted tradition and is as vital a part of Mardi Gras music history as the music of brass bands. The Mardi Gras Indians started their journey in the late 1800s and pulled much of their influence from their Native American comrades. In 1985 White formed the Liberty Brass Band, with which he has performed many jobs, including the opening of the National Museum of African American History and Culture in Washington DC and an appearance in the film Undercover Blues. A New Orleans native, White received a Ph.D. in Spanish from Tulane University and taught at Xavier University since 1980. Hailing from New Orleans and merging the jazzy sounds of brass with hip-hop, the Coolbone Brass Band is comprised of members Steven "Coolbone" Johnson, Earl Conway, Vincent Broussard, Thadeus Ford II, Jeremy Cole, Ronell Johnson, Randall Anderson, and Terrell Warren, among others. The band began as a group of students from Fortier High School that came together from two other young groups and practiced regularly in the uptown A. L. Davis Park. Articles / History NOLA History: The Brass Bands of New Orleans History of New Orleans brass bands, dating back to the music and dance of Congo Square to established groups like Rebirth Brass Band and Kermit Ruffins who play in popular venues and second lines. Company Message. BENNIE PETE is a tuba (sousaphone) player who in 1993 formed and still leads one of the most popular modern style New Orleans brass bands, the Hot 8. Balls and galas were also common during those early days. During the nineteenth century, string bands, led by violinists, had dominated dance work, offering waltzes, quadrilles, polkas, and schottisches to a polite dancing public. New Orleans Brass Bands brings US three musical generations of renowned second liners the classic sound of the Liberty Brass Band, the tradition-dening Treme Band, and the younger funk musicians of the Hot 8 Brass Band. There is now and has always been a need to celebrate every event: good, bad, big, and small. Introduced to parades by the Zulu Club in the 1800s, second line music, along with brass music, rhythm and blues, and zydeco, became leading sounds of Carnival. Bennie Pete expresses a sincere understanding of today’s modern brass band tradition of which he is a stellar representative. Take a walk with me in New Orleans, with the amazing Kinfolk Brass Band ... probably my most authentic NOLA experience during my visit! journey through outer space unlike any other. A cornetist, trumpeter, and band leader, he was one of the great early New Orleans jazz musicians and the first great jazz solo improviser, known for spontaneous, swinging melodies. Soon it became a New Orleans party, with throngs of people eating, dancing, drinking, and enjoying the music of the young band. There is now and has always been a need to celebrate every event: good, bad, big, and small. Copyright © Healdsburg Jazz. Company Name - new orleans, la. In his forty-five-year career, he has performed in nearly three dozen foreign countries and most US states at festivals, major concert halls, and universities. Before then, the New Orleans style was frequently simply called "ragtime" (Sidney Bechet continued to call his music "ragtime" throughout his life), along with such local terms as "hot music" and "ratty music". Unplugged: COVID-19 (and Facebook) Pull the Plug on the Local Electronic Music Scene, Billions in Biloxi: Universal Music Planning $1.2 Billion Hotel and Resort in Biloxi, You Can Still Get the Blues: Crescent City Blues & BBQ Festival is Going Virtual, Four Halloween Ways to Be Fearful Without Fearing the Virus, MaCNNO Reopens Applications for Financial Aid for Musicians and Artists, Rockin’ Around the Computer Screen: “Christmas Without Tears” Virtual Concert Fundaiser. He is also distinguished for the unique series of jazz history programs that he has been doing for many years. Louis Armstrong A clarinetist and soprano saxophonist, he was one of the great early New Orleans jazz musicians, known for his blues-infused improvisations. Venue Trust, and National Independent Venue Associations. In the history of jazz, brass bands are remembered as a training ground for many early New Orleans musicians – like Louis Armstrong and Sidney Bechet – who would go on to change American music during the 1920s “Jazz Age.” While typical six or seven-piece dance ensembles recorded what became the main body of classic New Orleans Jazz in the north, the local brass bands remained behind only to be remembered as a footnote in the origins of jazz. Today he lives around the corner from Buddy Bolden’s house and close to the homes of several other uptown early jazz legends. He had a long association with over three dozen New Orleans jazz musicians born between the late 1890s and 1910. Since the 1970s, brass bands like the Dirty Dozen, the Soul Rebels, Pin Stripe, Algiers, Rebirth, and many others have carried the torch of the jazz funeral. Carnival became more organized during the 19th century. During that same era, the mysterious marching krewe known as the Mardi Gras Indians put a pretty large stamp on Carnival season. It w… Stafford has remained true to his community roots and has been a long-time member of two parading black social clubs: the Young Men Olympian Benevolent Association (the city’s oldest such group, formed in 1884) and the Black Men of Labor, of which he became a founding member in 1993. A typical funeral began with a slow march from the home of the deceased to the church or funeral home. Well, of course, Mardi Gras music is. Although they were first inspired by the modern brass band style of the Dirty Dozen and Rebirth groups, audience requests led them to expand and incorporate classic and current rhythm & blues songs – especially Motown hits. Where did it come from? Together, the three groups paint a stylistic panorama of this life arming pillar of American music. the annual Christmas Without Tears Variety The most likely explanation is some New Orleans cats took the music they heard at home, in church and in barrooms, put it all together, and created a new sound. In 1958 The young Tuxedo became the first New Orleans brass band to record on a major label, producing the Atlantic record’s iconic 1958 Jazz Begins – a collection of classic parade and jazz funeral music. Brass Band from New Orleans, LA The Knockaz Brass Band was formed in early 2014 by 8 young, professionally trained musicians. By the turn of the century, an instrumentation borrowing from both brass marching bands and string bands was predo… As a tuba player, Bennie Pete has followed in the expanded and prominent tuba role established Anthony “Tuba Fats” Lacen, Kirk Joseph, and Phillip Frazier by developing his own version of rousing bass lines, riffs, and melodic parts. The band members all know. album takes listeners on a Other cities may hold the title of having the first Mardi Gras, but none can compare to the elaborate music and celebration that New Orleans has created. In the 1880s New Orleans brass bands, such as the Excelsior and Onward, typically consisted of formally trained musicians reading complex scores for concerts, parades, and dances. Over the years he played with many brass bands, including the Young Tuxedo, Royal, Excelsior, Magnolia, Olympia, Treme, and Ellyna’s Second Liners. We aspire to make "Band of Praise" worthy of that list, offering an authentic brass band to embrace this tradition. “The 2ndLine” also provides an instructive pre-funk contra… There’s much said about the history of the holiday itself, but not a lot of talk about the history of the music of Mardi Gras. The traditional hobnobbing parties brought down from European culture were common affairs for people to flaunt their best formal attire and always included dancing the night away. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. The Marsalis Family’s rendition of “The 2nd Line,” a traditional New Orleans song, combines aspects of many of these styles, as I indicate in my analysis below. year 2323 and tackles topics such as love, peace, social change, and the of some kind or within the vein of culture-bearers. Second Line Blues: A Brief History of New Orleans Brass Bands He is often a musical collaborator in Dr. Michael White’s bands and has been in frequent demand as a guest soloist in Scandinavian and Canadian traditional jazz bands for many years. In New Orleans, where brass band parades are a barometer of the popular culture, you might think that a CD on the stylistic evolution of these bands would be easy money for … Traditionally, New Orleans brass bands could feature various instrumentations, often including trumpets, trombones, clarinets, saxophones, sousaphones, and percussion. Future Cowboys' sound can be described as a perfect mix of genres, sounds, and... Six Places for a Holiday Meal This Season, Louisiana Musicians Announced as Grammy Nominees, House of Blues New Orleans to Host Sabrina Stone on December 1, The New Orleans Jazz Museum Announces 2020 Gala to Support Local Musicians, Learn How to Be a Virtual Musician at the Sync Up Conference 2020, Support Musical Artists With Tipitina’s Livestream. Brass bands have a long history in New Orleans, drawing upon both European and African performance traditions. The New Orleans Spice® Brass Band has performed worldwide, opening International jazz festivals. Contact us at 707-433-4633 / info@healdsburgjazz.org Brass horn musicians dominated the lower-class music market, and several brass bands arose during that time. Mama Digdown’s Brass Band is on the bill, along with the Rebirth, Pinettes, TBC, Free Agents and Da Truth brass bands. And while famous musicians like Louis Armstrong made jazz a popular part of Mardi Gras, it isn’t the most common genre heard during the season. GREGORY STAFFORD is a New Orleans born trumpet player and singer who has been an active musician for nearly fifty years. White has also become known as a jazz historian, composer, writer, producer – although he now reveals that being an actively performing musician has always been his main thing. They were known for creating and influencing several favorites, like "Iko Iko" by the Dixie Cups and "Jock-A-Mo" by Sugarboy Crawford. Following in the footsteps of the great Dejan’s Olympia Brass Band, The Preservation Brass is the resident brass band of New Orleans most treasured jazz venue, Preservation Hall. Gregg was also an early member of the first generation of the Fairview Baptist Church Brass Band, the kids’ group founded by legendary banjo and guitar player Danny Barker. To a core of African American New Orleanians, the brass band tradition has remained an important socially meaningful part of life that connects them to ancestral traditions and maintains the spirit and ceremonial practices that led to the development of jazz. While the original jazz style, repertoire, and format of brass bands in community parades and funerals continued into the early 1980s, a revolutionary new modern jazz and rhythm & blues-influenced type of brass band started and gained momentum during the late 1970s – leading to massive outside interest and an explosion of new young brass bands that continues into today. The... Harry Shearer and Judith Owen, the creators of By Edward Branley @NOLAHistoryGuy July 16, 2012 These marching groups were known for playing in parades and the city’s infamous “jazz funerals,” but little is known about their origins, style, continuation, and evolution – especially since New Orleans brass bands were not recorded until the 1950s and their functions continued largely as an underground, unpublicized black community event into the 1980s. All rights reserved. Your tax-deductible donations to support future Zoom presentations and other jazz education programs are gladly accepted. DR. MICHAEL WHITE is a leading figure in traditional New Orleans jazz. He is best known today for his classic clarinet tone and style with his Original Liberty Jazz Band and the Dr. Michael White Quartet. For his many varied contributions to local music and culture, he was awarded the Keller Endowed Chair in the Humanities. Now that we’ve gotten all of the good tidings of joy and cheerfulness out of the way, it’s time for the best music of the year. virtual concert will be Help Musicians, New Orleans Musicians Clinic, Music He was exposed to street music and began to play with older groups like the E. Gibson Brass Band while still a teenager. Makes you feel alive. The band returned from a successful six-week-long 2020 “Mardi Gras Tour,” throughout Europe just before the COVID pandemic. Since the 20th century, school bands have become the biggest source of music during parades, and many of the city’s most famous brass bands started their journeys marching in Mardi Gras parades. Later in the program White will introduce and lead a discussion with two other important veteran figures in brass bands: trumpeter Gregg Stafford and tuba (sousaphone) player Bennie Pete, leader of the Hot 8 Brass Band. 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